1Q84. Òûñÿ÷à Íåâåñòüñîò Âîñåìüäåñÿò ×åòûðå. Êíèãà 1. Àïðåëü–èþíü Ìóðàêàìè Õàðóêè
Tengo needed time to think. “Are you saying it needs to be revised?”
“It’s the only way. It’s not that unusual for an author to revise a promising work with the advice of an editor. It happens all the time. Only, in this case, rather than the author, someone else will do the revising.”
“Someone else?” Tengo asked, but he already knew what Komatsu’s answer would be.
“You.”
Tengo searched for an appropriate response but couldn’t find one. He heaved a sigh and said, “You know as well as I do that this work is going to need more than a little patching here and there. It’ll never come together without a fundamental top-to-bottom rewrite.”
“Which is why you’ll rewrite it from top to bottom. Just use the framework of the story as is. And keep as much of the tone as possible. But change the language-a total remake. You’ll be in charge of the actual writing, and I’ll be the producer.”
“Just like that?” Tengo muttered, as if to himself.
“Look,” Komatsu said, picking up a spoon and pointing it at Tengo the way a conductor uses his baton to single out a soloist from the rest of the orchestra. “This Fuka-Eri girl has something special. Anyone can see it reading Air Chrysalis. Her imagination is far from ordinary. Unfortunately, though, her writing is hopeless. A total mess. You, on the other hand, know how to write. Your story lines are good. You have taste. You may be built like a lumberjack, but you write with intelligence and sensitivity. And real power. Unlike Fuka-Eri, though, you still haven’t grasped exactly what it is you want to write about. Which is why a lot of your stories are missing something at the core. I know you’ve got something inside you that you need to write about, but you can’t get it to come out. It’s like a frightened little animal hiding way back in a cave-you know it’s in there, but there’s no way to catch it until it comes out. Which is why I keep telling you, just give it time.”
Tengo shifted awkwardly on the booth’s vinyl seat. He said nothing.
“The answer is simple,” Komatsu said, still lightly waving his spoon. “We put the two writers together and invent a brand-new one. We add your perfect style to Fuka-Eri’s raw story. It’s an ideal combination. I know you’ve got it in you. Why do you think I’ve been backing you all this time? Just leave the rest to me. With the two of you together, the new writers’ prize will be easy, and then we can shoot for the Akutagawa. I haven’t been wasting my time in this business all these years. I know how to pull the right strings.”
Tengo let his lips part as he stared at Komatsu. Komatsu put his spoon back in his saucer. It made an abnormally loud sound.
“Supposing the story wins the Akutagawa Prize, then what?” Tengo asked, recovering from the shock.
“If it takes the Akutagawa, it’ll cause a sensation. Most people don’t know the value of a good novel, but they don’t want to be left out, so they’ll buy it and read it-especially when they hear it was written by a high school girl. If the book sells, it’ll make a lot of money. We’ll split it three ways. I’ll take care of that.”
“Never mind the money” Tengo said, his voice flat. “How about your professional ethics as an editor? If the scheme became public, it’d cause an uproar. You’d lose your job.”
“It wouldn’t come out so easily. I can handle the whole thing very carefully. And even if it did come out, I’d be glad to leave the company. Management doesn’t like me, and they’ve never treated me decently. Finding another job would be no problem for me. Besides, I wouldn’t be doing it for the money. I’d be doing it to screw the literary world. Those bastards all huddle together in their gloomy cave and kiss each other’s asses, and lick each other’s wounds, and trip each other up, all the while spewing this pompous crap about the mission of literature. I want to have a good laugh at their expense. I want to outwit the system and make idiots out of the whole bunch of them. Doesn’t that sound like fun to you?”
It did not sound like all that much fun to Tengo. For one thing, he had never actually seen this “literary world.” And when he realized that a competent individual like Komatsu had such childish motives for crossing such a dangerous bridge, he was momentarily at a loss for words.
“It sounds like a scam to me,” he said at length.
“Coauthorship is not that unusual,” Komatsu said with a frown. “Half the magazines’ serialized manga are coauthored. The staff toss around ideas and make up the story, the artist does simple line drawings, his assistants fill in the details and add color. It’s not much different from the way a factory makes alarm clocks. The same sort of thing goes on in the fiction world. Romance novels, for example. With most of those, the publisher hires writers to make up stories following the guidelines they’ve established. Division of labor: that’s the system. Mass production would be impossible any other way. In the self-conscious world of literary fiction, of course, such methods are not openly sanctioned, so as a practical strategy we have to set Fuka-Eri up as our single author. If the deception comes out, it might cause a bit of a scandal, but we wouldn’t be breaking the law. We’d just be riding the current of the times. And besides, we’re not talking about a Balzac or a Murasaki Shikibu here. All we’d be doing is patching the holes in the story some high school girl wrote and making it a better piece of fiction. What’s wrong with that? If the finished work is good and brings pleasure to a lot of readers, then no harm done, don’t you agree?”
Tengo gave some thought to what Komatsu was saying, and he answered with care. “I see two problems here. I’m sure there are more than that, but for now let me concentrate on these two. One is that we don’t know whether the author, Fuka-Eri, would go along with having someone else rewrite her work. If she says no, of course, that’s the end of that. The other problem, assuming she says okay, is whether I could really do a good job of rewriting it. Coauthorship is a very delicate matter; I can’t believe things would go as easily as you are suggesting.”
“I know you can do it, Tengo,” Komatsu said without hesitation, as if he had been anticipating Tengo’s reaction. “I have no doubt whatever. I knew it the first time I read Air Chrysalis. The first thing that popped into my head was ‘Tengo has to rewrite this!’ It’s perfect for you. It’s aching for you to rewrite it. Don’t you see?”
Tengo merely shook his head, saying nothing.
“There’s no rush,” Komatsu said quietly. “This is important. Take two or three days to think about it. Read Air Chrysalis again, and give some good, careful thought to what I’m proposing. And-oh yes, let me give you this.”
Komatsu withdrew a brown envelope from his breast pocket and handed it to Tengo. Inside the envelope were two standard-size color photos, pictures of a girl. One showed her from the chest up, the other was a full-length snapshot. They seemed to have been taken at the same time. She was standing in front of a stairway somewhere, a broad stone stairway. Classically beautiful features. Long, straight hair. White blouse. Small and slim. Her lips were trying to smile, but her eyes were resisting. Serious eyes. Eyes in search of something. Tengo stared at the two photos. The more he looked, the more he thought about himself at that age, and the more he sensed a small, dull ache in his chest. It was a special ache, something he had not experienced for a very long time.
“That’s Fuka-Eri,” Komatsu said. “Beautiful girl, don’t you think? Sweet and fresh. Seventeen. Perfect. We won’t tell anyone that her real name is Eriko Fukada. We’ll keep her as ‘Fuka-Eri.’ The name alone should cause a stir if she wins the Akutagawa Prize, don’t you think? She’ll have reporters swarming around her like bats at sunset. The books’ll sell out overnight.”
Tengo wondered how Komatsu had gotten hold of the photos. Entrants were not required to send in photos with their manuscripts. But he decided not to ask, partly because he didn’t want to know the answer, whatever it might be.
“You can keep those,” Komatsu said. “They might come in handy.”
Tengo put them back into the envelope and laid them on the manuscript. Then he said to Komatsu, “I don’t know much about how the ‘industry’ works, but sheer common sense tells me this is a tremendously risky plan. Once you start lying to the public, you have to keep lying. It never ends. It’s not easy, either psychologically or practically, to keep tweaking the truth to make it all fit together. If one person who’s in on the plan makes one little slip, everybody could be done for. Don’t you agree?”
Komatsu pulled out another cigarette and lit it. “You’re absolutely right. It is risky. There are a few too many uncertainties at this point in time. One slip, and things could get very unpleasant for us. I’m perfectly aware of that. But you know, Tengo, taking everything into consideration, my instincts still tell me, ‘Go for it!’ For the simple reason that you don’t get chances like this very often. I’ve never had one before, and I’m sure I’ll never have another one. Comparing this to gambling might not be the best way to look at it, but we’ve got all the right cards and a mountain of chips. The conditions are perfect. If we let a chance like this slip away, we’ll regret it for the rest of our lives.”
Tengo stared in silence at Komatsu’s utterly sinister smile.
Komatsu continued: “And the most important thing is that we are remaking Air Chrysalis into a much better work. It’s a story that should have been much better written. There’s something important in it, something that needs someone to bring it out. I’m sure you think so too, Tengo. Am I wrong? We each contribute our own special talents to the project: we pool our resources for one thing only, and that is to bring out that important something in the work. Our motives are pure: we can present them anywhere without shame.”
“Well, you can try to rationalize it all you want, you can invent all kinds of noble-sounding pretexts, but in the end, a scam is a scam.”
“Look, Tengo, you’re losing sight of one crucial fact,” Komatsu said, his mouth opening in a big, wide grin the likes of which Tengo had never seen. “Or should I say you are deliberately choosing not to look at it? And that’s the simple fact that you want to do this. You already feel that way-‘risk’ and ‘morality’ be damned. I can see it. You’re itching to rewrite Air Chrysalis with your own hands. You want to be the one, not Fuka-Eri, who brings out that special something in the work. I want you to go home now and figure out what you really think. Stand in front of a mirror and give yourself a long, hard look. It’s written all over your face.”
Tengo felt the air around him growing thin. He glanced at his surroundings. Was the i coming to him again? But no, there was no sign of it. The thinness of the air had come from something else. He pulled his handkerchief from his pocket and wiped the sweat from his brow. Komatsu was always right. Why should that be?
CHAPTER 3
Aomame climbed down the emergency stairway in her stocking feet. The wind whistled past the stairway, which was open to the elements. Snug though her miniskirt was, it filled like a sail with the occasional strong gust from below, providing enough lift to make her steps unsteady. She kept a tight grip on the cold metal pipe that served as a handrail, lowering herself a step at a time, backward, and stopping now and then to brush aside the stray hair hanging down her forehead and to adjust the position of the shoulder bag slung diagonally across her chest.
She had a sweeping view of National Highway 246 running below. The din of the city enveloped her: car engines, blaring horns, the scream of an automobile burglar alarm, an old war song echoing from a right-wing sound truck, a sledgehammer cracking concrete. Riding on the wind, the noise pressed in on her from all directions-above, below, and 360 degrees around. Listening to the racket (not that she wanted to listen, but she was in no position to be covering her ears), she began to feel almost seasick.
Partway down, the stairs became a horizontal catwalk leading back toward the center of the elevated expressway, then angled straight down again.
Just across the road from the open stairway stood a small, five-story apartment house, a relatively new building covered in brown brick tile. Each apartment had a small balcony facing the emergency stairway, but all the patio doors were shut tight, the blinds or curtains closed. What kind of architect puts balconies on a building that stands nose-to-nose with an elevated expressway? No one would be hanging out their sheets to dry or lingering on the balcony with a gin and tonic to watch the evening rush-hour traffic. Still, on several balconies were stretched the seemingly obligatory nylon clotheslines, and one even had a garden chair and potted rubber plant. The rubber plant was ragged and faded, its leaves disintegrating and marked with brown dry spots. Aomame could not help feeling sorry for the plant. If she were ever reincarnated, let her not be reborn as such a miserable rubber plant!
Judging from the spiderwebs clinging to it, the emergency stairway was hardly ever used. To each web clung a small black spider, patiently waiting for its small prey to come along. Not that the spiders had any awareness of being “patient.” A spider had no special skill other than building its web, and no lifestyle choice other than sitting still. It would stay in one place waiting for its prey until, in the natural course of things, it shriveled up and died. This was all genetically predetermined. The spider had no confusion, no despair, no regrets. No metaphysical doubt, no moral complications. Probably. Unlike me. I have to move with a purpose, which is why I’m alone now, climbing down these stupid emergency stairs from Metropolitan Expressway Number 3 where it passes through the useless Sangenjaya neighborhood, even if it means ruining a perfectly good pair of stockings, all the while sweeping away these damned spiderwebs and looking at an ugly rubber plant on somebody’s stupid balcony.
I move, therefore I am.
Climbing down the stairway, Aomame thought about Tamaki Otsuka. She had not been intending to think about Tamaki, but once the thoughts began, she couldn’t stop them. Tamaki was her closest friend in high school and a fellow member of the softball team. As teammates, they went to many different places, and did all kinds of things together. They once shared a kind of lesbian experience. The two of them took a summer trip and ended up sleeping together when a small double was the only size bed the hotel could offer. They found themselves touching each other all over. Neither of them was a lesbian, but, spurred on by the special curiosity of two young girls, they experimented boldly. Neither had a boyfriend at the time, and neither had the slightest sexual experience. It was simply one of those things that remain as an “exceptional but interesting” episode in life. But as she brought back the is of herself and Tamaki touching each other that night, Aomame felt some small, deep part of herself growing hot even as she made her way down the windswept stairway. Tamaki’s oval-shaped nipples, her sparse pubic hair, the lovely curve of her buttocks, the shape of her clitoris: Aomame recalled them all with strange clarity.
As her mind traced these graphic memories, the brass unison of Janek’s Sinfonietta rang like festive background music. The palm of her hand was caressing the curve of Tamaki’s waist. At first Tamaki just laughed as if she were being tickled, but soon the laughter stopped, and her breathing changed. The music had initially been composed as a fanfare for an athletic meet. The breeze blew gently over the green meadows of Bohemia in time with the music. Aomame knew when Tamaki’s nipples suddenly became erect. And then her own did the same. And then the timpani conjured up a complex musical pattern.
Aomame halted her steps and shook her head several times. I should not be thinking such thoughts at a time like this. I have to concentrate on climbing down the stairs. But the thoughts would not go away. The is came to her one after another and with great vividness. The summer night, the narrow bed, the faint smell of perspiration. The words they spoke. The feelings that would not take the form of words. Forgotten promises. Unrealized hopes. Frustrated longings. A gust of wind lifted a lock of her hair and whipped it against her cheek. The pain brought a film of tears to her eyes. Successive gusts soon dried the tears away.
When did that happen, I wonder? But time became confused in her memory, like a tangled string. The straight-line axis was lost, and forward and back, right and left, jumbled together. One drawer took the place of another. She could not recall things that should have come back to her easily. It is now April 1984. I was born in… that’s it… 1954. I can remember that much. These dates were engraved in her mind, but as soon as she recalled them, they lost all meaning. She saw white cards imprinted with dates scattering in the wind, flying in all directions. She ran, trying to pick up as many as she could, but the wind was too strong, the sheer number of cards overwhelming. Away they flew: 1954, 1984, 1645, 1881, 2006, 771, 2041… all order lost, all knowledge vanishing, the stairway of intellection crumbling beneath her feet.
Aomame and Tamaki were in bed together. They were seventeen and enjoying their newly granted freedom. This was their first trip together as friends, just the two of them. That fact alone was exciting. They soaked in the hotel’s hot spring, split a can of beer from the refrigerator, turned out the lights, and crawled into bed. They were just kidding around at first, poking each other for the fun of it, but at some point Tamaki reached out and grabbed Aomame’s nipple through the T-shirt she wore as pajamas. An electric shock ran through Aomame’s body. Eventually they stripped off their shirts and panties and were naked in the summer night. Where did we go on that trip? She could not recall. It didn’t matter. Soon, without either of them being the first to suggest it, they were examining each other’s bodies down to the smallest detail. Looking, touching, caressing, kissing, licking, half in jest, half seriously. Tamaki was small and a bit plump with large breasts. Aomame was taller, lean and muscular, with smaller breasts. Tamaki always talked about going on a diet, but Aomame found her attractive just the way she was.
Tamaki’s skin was soft and fine. Her nipples swelled in a beautiful oval shape reminiscent of olives. Her pubic hair was fine and sparse, like a delicate willow tree. Aomame’s was hard and bristly. They laughed at the difference. They experimented with touching each other in different places and discussed which areas were the most sensitive. Some areas were the same, others were not. Each held out a finger and touched the other’s clitoris. Both girls had experienced masturbation-a lot. But now they saw how different it was to be touched by someone else. The breeze swept across the meadows of Bohemia.
Aomame came to a stop and shook her head again. She released a deep sigh and tightened her grip on the metal pipe handrail. I have to stop thinking about these things. I have to concentrate on climbing down the stairs. By now, I must be more than halfway down. Still, why is there so much noise here? Why is the wind so strong? They both seem to be reprimanding me, punishing me.
Setting such immediate sensory impressions aside, Aomame began to worry about what might await her at the bottom of the stairway. What if someone were there, demanding that she identify herself and explain her presence? Could she get by with a simple explanation-“The traffic was backed up on the expressway and I have such urgent business that I climbed down the stairs”? Or would there be complications? She didn’t want any complications. Not today.
Fortunately, she found no one at ground level to challenge her. The first thing she did was pull her shoes from her bag and step into them. The stairway came down to a vacant patch beneath the elevated expressway, a storage area for construction materials hemmed in between the inbound and outbound lanes of Route 246 and surrounded by high metal sheeting. A number of steel poles lay on the bare ground, rusting, probably discarded surplus from some construction job. A makeshift plastic roof covered one part of the area where three cloth sacks lay piled. Aomame had no idea what they held, but they had been further protected from the rain by a vinyl cover. The sacks, too, seemed to be construction surplus, thrown there at the end of the job because they were too much trouble to haul away. Beneath the roof, several crushed corrugated cartons, some plastic drink bottles, and a number of manga magazines lay on the ground. Aside from a few plastic shopping bags that were being whipped around by the wind, there was nothing else down here.
The area had a metal gate, but a large padlock and several wrappings of chain held it in place. The gate towered over her and was topped with barbed wire. There was no way she could climb over it. Even if she managed to do so, her suit would be torn to shreds. She gave it a few tentative shakes, but it wouldn’t budge. There was not even enough space for a cat to squeeze through. Damn. What was the point of locking the place so securely? There was nothing here worth stealing. She frowned and cursed and even spit on the ground. After all her trouble to climb down from the elevated expressway, now she was locked in a storage yard! She glanced at her watch. The time was still okay, but she coldn’t go on hanging around in this place forever. And doubling back to the expressway now was out of the question.
The heels of both her stockings were ripped. Checking to make sure that there was no one watching her, she slipped out of her high heels, rolled up her skirt, pulled her stockings down, yanked them off her feet, and stepped into her shoes again. The torn stockings she shoved into her bag. This calmed her somewhat. Now she walked the perimeter of the storage area, paying close attention to every detail. It was about the size of an elementary school classroom, so a full circuit of the place took no time at all. Yes, she had already found the only exit, the locked gate. The metal sheeting that enclosed the space was thin, but the pieces were securely bolted together, and the bolts could not be loosened without tools. Time to give up.
She went over to the roofed area for a closer look at the crushed cartons. They had been arranged as bedding, she realized, with a number of worn blankets rolled up inside. They were not all that old, either. Some street people were probably sleeping here, which explained the bottles and magazines. No doubt about it. Aomame put her mind to work. If they were using this place to spend their nights, it must have some kind of secret entrance. They’re good at finding hidden places to ward off the wind and rain, she thought. And they know how to secure secret passageways, like animal trails, for their exclusive use.
Aomame made another round, closely inspecting each metal sheet of the fence and giving it a shake. As she expected, she found one loose spot where a bolt might have slipped out. She tried bending it in different directions. If you changed the angle a little and pulled it inward, a space opened up that was just big enough for a person to squeeze through. The street people probably came in after dark to enjoy sleeping under the roof, but they would have problems if someone caught them in here, so they went out during the daylight hours to find food and collect empty bottles for spare change. Aomame inwardly thanked the nameless nighttime residents. As someone who had to move stealthily, anonymously, behind the scenes in the big city, she felt at one with them.
She crouched down and slipped through the narrow gap, taking great care to avoid catching and tearing her expensive suit on any sharp objects. It was not her favorite suit: it was the only one she owned. She almost never dressed this way, and she never wore heels. Sometimes, however, this particular line of work required her to dress respectably, so she had to avoid ruining the suit.
Fortunately, there was no one outside the fence, either. She checked her clothing once more, resumed a calm expression on her face, and walked to a corner with a traffic signal. Crossing Route 246, she entered a drugstore and bought a new pair of stockings, which she put on in a back room with the permission of the girl at the register. This improved her mood considerably and obliterated the slight discomfort, like seasickness, that had remained in her stomach. Thanking the clerk, she left the store.
The traffic on Route 246 was heavier than usual, probably because word had spread that an accident had stopped traffic on the parallel urban expressway. Aomame abandoned the idea of taking a cab and decided instead to take the Tokyu Shin-Tamagawa Line from a nearby station. That would be a sure thing. She had had enough of taxis stuck in traffic.
As she headed for Sangenjaya Station, she passed a policeman on the street. He was a tall young officer, walking rapidly, heading somewhere in particular. She tensed up for a moment, but he looked straight ahead, apparently in too much of a hurry even to glance at her. Just before they passed each other, Aomame noticed that there was something unusual about his uniform. The jacket was the normal deep navy blue, but its cut was different: the design was more casual, less tight fitting, and in a softer material, the lapels smaller, even the navy color a touch paler. His pistol, too, was a different model. He wore a large automatic at his waist instead of the revolver normally issued to policemen in Japan. Crimes involving firearms were so rare in this country that there was little likelihood that an officer would be caught in a shootout, which meant an old-fashioned six-shooter was adequate. Revolvers were simply made, cheap, reliable, and easy to maintain. But for some reason this officer was carrying the latest model semiautomatic pistol, the kind that could be loaded with sixteen 9mm bullets. Probably a Glock or a Beretta. But how could that be? How could police uniforms and pistols have changed without her being aware of it? It was practically unthinkable. She read the newspaper closely each day. Changes like that would have been featured prominently. And besides, she paid careful attention to police uniforms. Until this morning, just a few hours ago, policemen were still wearing the same old stiff uniforms they always had, and still carrying the same old unsophisticated revolvers. She remembered them clearly. It was very strange.
But Aomame was in no frame of mind to think deeply about such matters. She had a job to do.
When the subway reached Shibuya Station, she deposited her coat in a coin locker, then hurried up Dogenzaka toward the hotel wearing only her suit. It was a decent enough hotel, nothing fancy, but well equipped, clean, with reputable guests. It had a restaurant on the street level, as well as a convenience store. Close to the station. A good location.
She walked in and headed straight for the ladies’ room. Fortunately, it was empty. The first thing she did was sit down for a good, long pee, eyes closed, listening to the sound like distant surf, and thinking of nothing in particular. Next she stood at one of the sinks and washed her hands well with soap and water. She brushed her hair and blew her nose. She took out her toothbrush and did a cursory brushing without toothpaste. She had no time to floss. It wasn’t that important. She wasn’t preparing for a date. She faced the mirror and added a touch of lipstick and eyebrow pencil. Removing her suit jacket, she adjusted the position of her underwire bra, smoothed the wrinkles in her white blouse, and sniffed her armpits. No smell. Then she closed her eyes and recited the usual prayer, the words of which meant nothing. The meaning didn’t matter. Reciting was the important thing.
After the prayer she opened her eyes and looked at herself in the mirror. Fine. The picture of the capable businesswoman. Erect posture. Firm mouth. Only the big, bulky shoulder bag seemed out of place. A slim attach case might have been better, but this bag was more practical. She checked again to make sure she had all the items she needed in the bag. No problem. Everything was where it belonged, easy to find by touch.
Now it was just a matter of carrying out the task as arranged. Head-on. With unwavering conviction and ruthlessness. Aomame undid the top button of her blouse. This would give a glimpse of cleavage when she bent over. If only she had more cleavage to expose!
No one challenged her as she took the elevator to the fourth floor, walked down the corridor, and quickly found Room 426. Taking a clipboard from the bag, she clutched it to her chest and knocked on the door. A light, crisp knock. A brief wait. Another knock, this one a little harder. Grumbling from inside. Door opened a crack. Man’s face. Maybe forty. Marine-blue shirt. Gray flannel slacks. Classic look of a businessman working with his tie and jacket off. Red eyes, annoyed. Probably sleep deprived. He seemed surprised to see Aomame in her business suit, probably expecting her to be a maid, here to replenish the minibar.
“I’m terribly sorry to disturb you, sir. My name is Ito, and I’m a member of the hotel management staff. There has been a problem with the air conditioner and I need to do an inspection. May I come in? It won’t take more than five minutes,” Aomame announced briskly, with a swee smile.
The man squinted at her in obvious displeasure. “I’m working on something important, a rush job. I’ll be leaving the room in another hour. Can I get you to come back then? There’s nothing wrong with the air conditioner in this room.”
“I’m terribly sorry, sir. It’s an emergency involving a short circuit. We need to take care of it as soon as possible, for safety’s sake. We’re going from room to room. It won’t even take five minutes…”
“Ah, what the hell,” the man said, with a click of his tongue. “I made a point of taking a room so I could work undisturbed.”
He pointed to the papers on the desk-a pile of detailed charts and graphs he had printed out, probably materials he was preparing for a late meeting. He had a computer and a calculator, and scratch paper with long lines of figures.
Aomame knew that he worked for a corporation connected with oil. He was a specialist on capital investment in a number of Middle Eastern countries. According to the information she had been given, he was one of the more capable men in the field. She could see it in the way he carried himself. He came from a good family, earned a sizable income, and drove a new Jaguar. After a pampered childhood, he had gone to study abroad, spoke good English and French, and exuded self-confidence. He was the type who could not bear to be told what to do, or to be criticized, especially if the criticism came from a woman. He had no difficulty bossing others around, though, and cracking a few of his wife’s ribs with a golf club was no problem at all. As far as he was concerned, the world revolved around him, and without him the earth didn’t move at all. He could become furious-violently angry-if anyone interfered with what he was doing or contradicted him in any way.
“Sorry to trouble you, sir,” Aomame said, flashing him her best business smile. As if it were a fait accompli, she squeezed halfway into the room, pressing her back against the door, readied her clipboard, and started writing something on it with a ballpoint pen. “That was, uh, Mr. Miyama, I believe…?” she asked. Having seen his photo any number of times, she knew his face well, but it wouldn’t hurt to make sure she had the right person. There was no way to correct a mistake.
“Yes, of course. Miyama,” he said curtly. He followed this with a resigned sigh that seemed to say, “All right. Do as you damn please.” He took his seat at the desk and, with a ballpoint pen in one hand, picked up whatever document he had been reading. His suit coat and a striped tie lay on the fully made double bed where he had thrown them. They were both obviously very expensive. Aomame walked straight for the closet, her bag hanging from her shoulder. She had been told that the air conditioner switch panel was in there. Inside she found a trench coat of soft material and a dark gray cashmere scarf. The only luggage was a leather briefcase. No change of clothes, no bag for toiletries. He was probably not planning to stay the night. On the desk stood a coffeepot that had obviously been delivered by room service. She pretended to inspect the switch panel for thirty seconds and then called out to Miyama.
“Thank you, Mr. Miyama, for your cooperation. I can’t find any problem with the equipment in this room.”
“Which is what I was trying to tell you from the start,” he grumbled.
“Uh… Mr. Miyama…?” she ventured. “Excuse me, but I think you have something stuck to the back of your neck.”
“The back of my neck?” he said. He rubbed the area and then stared at the palm of his hand. “I don’t think so.”
“Please just let me have a look,” she said, drawing closer. “Do you mind?”
“Sure, go ahead,” he said, looking puzzled. “What is it?”
“A spot of paint, I think. Bright green.”
“Paint?”
“I’m not really sure. Judging from the color, it has to be paint. Is it all right if I touch you back there? It may come right off.”
“Well, okay,” Miyama said, ducking his head forward, exposing the back of his neck to Aomame. It was bare, thanks to what looked like a recent haircut. Aomame took a deep breath and held it, concentrating her attention on her fingers’ nimble search for the right spot. She pressed a fingertip there as if to mark the place, then closed her eyes, confirming that her touch was not mistaken. Yes, this is it. I’d like to take more time if possible to make doubly certain, but it’s too late for that now. I’ll just have to do my best with the situation I’ve been given.
“Sorry, sir, but do you mind holding that position a bit longer? I’ll take a penlight from my bag. The lighting in here is not very good.”
“Why would I have paint back there, of all things?”
“I have no idea, sir. I’ll check it right away.”
Keeping her finger pressed against the spot on the man’s neck, Aomame drew a hard plastic case from her bag, opened it, and took out an object wrapped in thin cloth. With a few deft moves she unfolded the cloth, revealing something like a small ice pick about four inches in length with a compact wooden handle. It looked like an ice pick, but it was not meant for cracking ice. Aomame had designed and made it herself. The tip was as sharp and pointed as a needle, and it was protected from breakage by a small piece of cork-cork that had been specially processed to make it as soft as cotton. She carefully plucked the cork from the point and slipped it into her pocket. She then held the exposed point against that special spot on Miyama’s neck. Calm down now, this is it, Aomame told herself. I can’t be off by even one-hundredth of an inch. One slip and all my efforts will be wasted. Concentration is the key.
“How much longer is this going to take?” Miyama protested.
“I’m sorry, sir, I’ll be through in a moment.”
Don’t worry, she said to him silently, it’ll all be over before you know it. Wait just a second or two. Then you won’t have to think about a thing. You won’t have to think about the oil refining system or crude oil market trends or quarterly reports to the investors or Bahrain flight reservations or bribes for officials or presents for your mistress. What a strain it must have been for you to keep these things straight in your head all this time! So please, just wait a minute. I’m hard at work here, giving it all the concentration I can muster. Don’t distract me. That’s all I ask.
Once she had settled on the location and set her mind to the task, Aomame raised her right palm in the air, held her breath, and, after a brief pause, brought it straight down-not too forcefully-against the wooden handle. If she applied too much force, the needle might break under the skin, and leaving the needle tip behind was out of the question. The important thing was to bring the palm down lightly, almost tenderly, at exactly the right angle with exactly the right amount of force, without resisting gravity, straight down, as if the fine point of the needle were being sucked into the spot with the utmost naturalness-deeply, smoothly, and with fatal results. The angle and force-or, rather, the restraint of force-were crucial. As long as she was careful about those details, it was as simple as driving a needle into a block of tofu. The needle pierced the skin, thrust into the special spot at the base of the brain, and stopped the heart as naturally as blowing out a candle. Everything ended in a split second, almost too easily. Only Aomame could do this. No one else could find that subtle point by touch. Her fingertips possessed the special intuition that made it possible.
She heard him draw a sharp breath, and then every muscle in his body went stiff. Instantly, she withdrew the needle and just as quickly took out the small gauze pad she had ready in her pocket, pressing it against the wound to prevent the flow of blood. Because the needle was so fine and had remained in his skin for no more than a few seconds, only a minuscule amount of blood could possibly escape through the opening, but she had to take every precaution. She must not leave even the slightest trace of blood. One drop could ruin everything. Caution was Aomame’s specialty.
The strength began to drain from Miyama’s body, which had momentarily stiffened, like air going out of a basketball. Keeping her finger on the spot on his neck, Aomame let him slump forward onto the desk. His face lay sideways, pillowed on his documents. His eyes were wide open in apparent surprise, as if his last act had been to witness something utterly amazing. They showed neither fear nor pain, only pure surprise. Something out of the ordinary was happening to him, but he could not comprehend what it was-a pain, an itch, a pleasure, or a divine revelation? There were many different ways of dying in the world, perhaps none of them as easy as this.
This was an easier death than you deserved, Aomame thought with a scowl. It was just too simple. I probably should have broken a few ribs for you with a five iron and given you plenty of pain before putting you out of your misery. That would have been the right kind of death for a rat like you. It’s what you did to your wife. Unfortunately, however, the choice was not mine. My mission was to send this man to the other world as swiftly and surely-and discreetly-as possible. Now, I have accomplished that mission. He was alive until a moment ago, and now he’s dead. He crossed the threshold separating life from death without being aware of it himself.
Aomame held the gauze in place for a full five minutes, patiently, but without pressing hard enough for her finger to leave an indentation. She kept her eyes glued on the second hand of her watch. It was a very long five minutes. If someone had walked in then and seen her pressing her finger against the man’s neck while holding the slender murder weapon in the other hand, it would have been all over. She could never have talked her way out of it. A bellhop could bring a pot of coffee. There could be a knock on the door at any moment. But this was an indispensable five minutes. To calm herself, Aomame took several slow deep breaths. I can’t get flustered now. I can’t lose my composure. I have to stay the same calm, cool Aomame as always.
She could hear her heart beating. And in her head, in time with the beat, resounded the opening fanfare of Janek’s Sinfonietta. Soft, silent breezes played across the green meadows of Bohemia. She was aware that she had become split in two. Half of her continued to press the dead man’s neck with utter coolness. The other half was filled with fear. She wanted to drop everything and get out of this room now. I’m here, but I’m not here. I’m in two places at once. It goes against Einstein’s theorem, but what the hell. Call it the Zen of the killer.
The five minutes were finally up. But just to make sure, Aomame gave it one more minute. I can wait another minute. The greater the rush, the more care one should take with the job. She endured the extra minute, which seemed as if it would never end. Then she slowly pulled her finger away and examined the wound with her penlight. A mosquito’s stinger left a larger hole than this.
Stabbing the special point at the base of the brain with an exceptionally fine needle causes a death that is almost indistinguishable from a natural sudden death. It would look like a heart attack to most ordinary doctors. It hit him without warning while he was working at his desk, and he breathed his last. Overwork and stress. No sign of unnatural causes. No need for an autopsy.
This man was a high-powered operator, but also prone to overwork. He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. “Such a shame, he was so young,” people might say. Or they might not.
Aomame took the cork from her pocket and placed it on the needle. Wrapping the delicate instrument in the thin cloth again, she returned it to the hard case, which she placed in the bottom of the shoulder bag. She then took a hand towel from the bathroom and wiped any fingerprints she might have left in the room. These would all be on the air conditioner panel and the doorknob. She had been careful not to touch anything else. She returned the towel to the bathroom. Placing the man’s cup and coffeepot on the room service tray, she set them in the corridor. This way the bellhop would not have to knock when he came to retrieve them, and the discovery of the body would be delayed that much more. If all went well, the maid would find the body after checkout time tomorrow.
When he failed to show up at tonight’s meeting, people might ring the room, but there would be no answer. They might think it odd enough to have the manager open the room, but then again they might not. Things would simply take their course.
Aomame stood before the bathroom mirror to make sure nothing about her clothing was in disarray. She closed the top button of her blouse. She had not had to flash cleavage. The bastard had hardly looked at her. What the hell did other people mean to him? She tried out a medium frown. Then she straightened her hair, massaged her facial muscles with her fingertips to soften them, and flashed the mirror a sweet smile, revealing her recently cleaned white teeth. All right, then, here I go, out of the dead man’s room and back to the real world. Time to adjust the atmospheric pressure. I’m not a cool killer anymore, just a smiling, capable businesswoman in a sharp suit.
She opened the door a crack, checked to see that there was no one in the corridor, and slipped out. She took the stairs rather than the elevator. No one paid her any mind as she passed through the lobby. Posture erect, she stared straight ahead and walked quickly-though not quickly enough to attract attention. She was a pro, virtually perfect. If only her breasts were a little bigger, she thought with a twinge, she might have been truly perfect. A partial frown. But hell, you’ve gotta work with what you’ve got.
CHAPTER 4
The phone woke Tengo. The luminous hands of his clock pointed to a little after one a.m. The room was dark, of course. Tengo knew the call was from Komatsu. No one but Komatsu would call him at one in the morning-and keep the phone ringing until he picked it up, however long it took. Komatsu had no sense of time. He would place a call the moment a thought struck him, never considering the hour. It could be the middle of the night or the crack of dawn. The other person could be enjoying his wedding night or lying on his deathbed. The prosaic thought never seemed to enter Komatsu’s egg-shaped head that a call from him might be disturbing.
Which is not to say that he did this with everyone. Even Komatsu worked for an organization and collected a salary. He couldn’t possibly go around behaving toward everyone with a total disregard for common sense. Only with Tengo could he get away with it. Tengo was, for Komatsu, little more than an extension of Komatsu himself, another arm or leg. If Komatsu was up, Tengo must be up. Tengo normally went to bed at ten o’clock and woke at six, maintaining a generally regular lifestyle. He was a deep sleeper. Once something woke him, though, it was hard for him to get to sleep again. He was high-strung to that extent. He had tried to explain this to Komatsu any number of times, and pleaded with him not to call in the middle of the night, like a farmer begging God not to send swarms of locusts into his fields before harvest time.
“Got it,” Komatsu declared. “No more nighttime calls.” But his promise had not sunk deep roots in his brain. One rainfall was all it took to wash them out.
Tengo crawled out of bed and, bumping into things, managed to find his wayto the phone in the kitchen. All the while, the phone kept up its merciless ringing.
“I talked to Fuka-Eri,” Komatsu said. He never bothered with the standard greetings, no “Were you sleeping?” or “Sorry to call so late.” Pretty impressive. Tengo couldn’t help admiring him.
Tengo frowned in the dark, saying nothing. When roused at night, it took his brain a while to start working.
“Did you hear what I said?”
“Yes, I did.”
“It was just a phone call. But I did talk to her. Or at her. She just listened. You couldn’t exactly call it a conversation. She hardly talks. And she’s got an odd way of speaking. You’ll see what I mean. Anyhow, I gave her a general outline of my plan, like, what did she think of the idea of going after the new writers’ prize by having somebody rewrite Air Chrysalis to get it into better shape? I couldn’t give her much more than a rough idea on the phone and ask her if she had any interest, assuming we’d meet and talk over the details. I kept it sort of vague. If I got too direct about stuff like this, I could put myself in an awkward position.”
“And so?”
“No answer.”
“No answer?”
Komatsu paused for effect. He put a cigarette between his lips and lit it with a match. Hearing the sounds over the phone, Tengo could imagine the scene vividly. Komatsu never used a lighter.
“Fuka-Eri says she wants to meet you first,” Komatsu said, exhaling. “She didn’t say whether or not she was interested in the plan, or whether or not she liked the idea. I guess the main thing is to start by meeting you and talking about it face-to-face. She’ll give me her answer after that, she says. The responsibility is all yours, don’t you think?”
“And so?”
“Are you free tomorrow evening?”
His classes started in the morning and ended at four. Fortunately (or unfortunately) he had nothing after that. “I’m free,” he said.
“Good. I want you to go to the Nakamuraya Caf in Shinjuku at six o’clock. I’ll reserve a table for you in the back where it’s quiet. It’ll be in my name and on the company’s tab, so eat and drink as much as you like. The two of you can have a nice, long talk.”
“Without you?”
“That’s the way Fuka-Eri wants it. She says there’s no point in meeting me yet.”
Tengo kept silent.
“So that’s how it is,” Komatsu said cheerily. “Give it your best shot, Tengo. You’re a big lug, but you make a good impression on people. And besides, you teach at a cram school. You’re used to talking to these precocious high school girls. You’re the right guy for the job, not me. Flash her a smile, win her over, get her to trust you. I’ll be looking forward to the good news.”
“Now, wait just a minute. This was all your idea. I still haven’t even told you if I’ll do it. Like I said the other day, this is a tremendously risky plan, and I don’t see it working all that well. It could turn into a real scandal. How am I supposed to convince this girl I’ve never met to go along with it when I myself haven’t decided to take it on?”
Komatsu remained silent at his end. Then, after a moment’s pause, he said, “Now listen, Tengo. We’ve already pulled out of the station. You can’t stop the train and get off now. I’m totally committed. And you’re more than half committed, I’m sure. We share the same fate.”
Tengo shook his head. Share the same fate? When did this melodrama get started? “Just the other day you told me to take my time and think it over, didn’t you?”
“It’s been five days since then. You’ve had plenty of time to think it over. What’s your decision?” Komatsu demanded.
Tengo was at a loss for words. “I don’t have a decision,” he said honestly.
“So then, why don’t you try meeting this Fuka-Eri girl and talking it over? You can make up your mind after that.”
Tengo pressed his fingertips hard against his temples. His brain was still not working properly. “All right. I’ll talk to her. Six o’clock tomorrow at the Shinjuku Nakamuraya. I’ll give her my explanation of the situation. But I’m not promising any more than that. I can explain the plan, but I can’t convince her of anything.”
“That’s all I ask, of course.”
“So anyway, how much does Fuka-Eri know about me?”
“I filled her in on the general stuff. You’re twenty-nine or thirty, a bachelor, you teach math at a Yoyogi cram school. You’re a big guy, but not a bad guy. You don’t eat young girls. You live a simple lifestyle, you’ve got gentle eyes. And I like your writing a lot. That’s about it.”
Tengo sighed. When he tried to think, reality hovered nearby, then retreated into the distance.
“Do you mind if I go back to bed? It’s almost one thirty, and I want at least a little sleep before the sun comes up. I’ve got three classes tomorrow starting in the morning.”
“Fine. Good night,” Komatsu said. “Sweet dreams.” And he hung up.
Tengo stared at the receiver in his hand for a while, then set it down. He wanted to get to sleep right away if possible, and to have good dreams if possible, but he knew it wouldn’t be easy after having been dragged out of bed and forced to participate in an unpleasant conversation. He could try drinking himself to sleep, but he wasn’t in the mood for alcohol. He ended up drinking a glass of water, getting back in bed, turning on the light, and beginning to read a book. He hoped it would make him sleepy, but he didn’t actually fall asleep until almost dawn. Tengo took the elevated train to Shinjuku after his third class ended. He bought a few books at the Kinokuniya bookstore, and then headed for the Nakamuraya Caf. He gave Komatsu’s name at the door and was shown to a quiet table in the back. Fuka-Eri was not there yet. Tengo told the waiter he would wait for the other person to come. Would he want something to drink while he waited? He said that he would not. The waiter left a menu and a glass of water on the table. Tengo opened one of his new books and started reading. It was a book on occultism and it detailed the function of curses in Japanese society over the centuries. Curses played a major role in ancient communities. They had made up for the gaps and inconsistencies in the social system. It seemed like an enjoyable time to be alive.
Fuka-Eri had still not come at six fifteen. Unconcerned, Tengo went on reading. It didn’t surprise him that she was late. This whole business was so crazy, he couldn’t complain to anybody if it took another crazy turn. It would not be strange if she changed her mind and decided not to show up at all. In fact, he would prefer it that way-it would be simpler. He could just report to Komatsu that he waited an hour and she never showed. What would happen after that was no concern of his. He would just eat dinner by himself and go home, and that would satisfy his obligation to Komatsu.
Fuka-Eri arrived at 6:22. The waiter showed her to the table and she sat down across from Tengo. Resting her small hands on the table, not even removing her coat, she stared straight at him. No “Sorry I’m late,” or “I hope I didn’t keep you waiting too long.” Not even a “Hi” or a “Nice to meet you.” All she did was look directly at Tengo, her lips forming a tight, straight line. She could have been observing a new landscape from afar. Tengo was impressed.
Fuka-Eri was a small girl, small all over, and her face was more beautiful than in the pictures. Her most attractive facial feature was her deep, striking eyes. Under the gaze of two glistening, pitch-black pupils, Tengo felt uncomfortable. She hardly blinked and seemed almost not to be breathing. Her hair was absolutely straight, as if someone had drawn each individual strand with a ruler, and the shape of her eyebrows matched the hair perfectly. As with many beautiful teenage girls, her expression lacked any trace of everyday life. It also was strangely unbalanced-perhaps because there was a slight difference in the depth of the left and right eyes-causing discomfort in the recipient of her gaze. You couldn’t tell what she as thinking. In that sense, she was not the kind of beautiful girl who becomes a model or a pop star. Rather, she had something about her that aroused people and drew them toward her.
Tengo closed his book and laid it to one side. He sat up straight and took a drink of water. Komatsu had been right. If a girl like this took a literary prize, the media would be all over her. It would be a sensation. And then what?
The waiter came and placed a menu and a glass of water in front of her. Still she did not move. Instead of picking up the menu, she went on staring at Tengo. He felt he had no choice but to say something. “Hello.” In her presence, he felt bigger than ever.
Fuka-Eri did not return his greeting but continued to stare at him. “I know you,” she murmured at last.
“You know me?” Tengo said.
“You teach math.”
He nodded. “I do.”
“I heard you twice.”
“My lectures?”
“Yes.”
Her style of speaking had some distinguishing characteristics: sentences shorn of embellishment, a chronic shortage of inflection, a limited vocabulary (or at least what seemed like a limited vocabulary). Komatsu was right: it was odd.
“You mean you’re a student at my school?” Tengo asked.
Fuka-Eri shook her head. “Just went for lectures.”
“You’re not supposed to be able to get in without a student ID.”
Fuka-Eri gave a little shrug, as if to say, “Grown-ups shouldn’t say such dumb things.”
“How were the lectures?” Tengo asked, his second meaningless question.
Fuka-Eri took a drink of water without averting her gaze. She did not answer the question. Tengo guessed he couldn’t have made too bad an impression if she came twice. She would have quit after the first one if it hadn’t aroused her interest.
“You’re in your third year of high school, aren’t you?” Tengo asked.
“More or less.”
“Studying for college entrance exams?”
She shook her head.
Tengo could not decide whether this meant “I don’t want to talk about my college entrance exams” or “I wouldn’t be caught dead taking college entrance exams.” He recalled Komatsu’s remark on how little Fuka-Eri had to say.
The waiter came for their orders. Fuka-Eri still had her coat on. She ordered a salad and bread. “That’s all,” she said, returning the menu to the waiter. Then, as if it suddenly occurred to her, she added, “And a glass of white wine.”
The young waiter seemed about to ask her age, but she gave him a stare that made him turn red, and he swallowed his words. Impressive, Tengo thought again. He ordered seafood linguine and decided to join Fuka-Eri in a glass of white wine.
“You’re a teacher and a writer,” Fuka-Eri said. She seemed to be asking Tengo a question. Apparently, asking questions without question marks was another characteristic of her speech.
“For now,” Tengo said.
“You don’t look like either.”
“Maybe not,” he said. He thought of smiling but couldn’t quite manage it. “I’m certified as an instructor and I do teach courses at a cram school, but I’m not exactly a teacher. I write fiction, but I’ve never been published, so I’m not a writer yet, either.”
“You’re nothing.”
Tengo nodded. “Exactly. For the moment, I’m nothing.”
“You like math.”
Tengo mentally added a question mark to her comment and answered this new question: “I do like math. I’ve always liked it, and I still like it.”
“What about it.”
“What do I like about math? Hmm. When I’ve got figures in front of me, it relaxes me. Kind of like, everything fits where it belongs.”
“The calculus part was good.”
“You mean in my lecture?”
Fuka-Eri nodded.
“Do you like math?”
She gave her head a quick shake. She did not like math.
“But the part about calculus was good?” he asked.
Fuka-Eri gave another little shrug. “You talked about it like you cared.”
“Oh, really?” Tengo said. No one had ever told him this before.
“Like you were talking about somebody important to you,” she said.
“I can maybe get even more passionate when I lecture on sequences,” Tengo said. “Sequences were a personal favorite of mine in high school math.”
“You like sequences,” Fuka-Eri asked, without a question mark.
“To me, they’re like Bach’s Well-Tempered Clavier. I never get tired of them. There’s always something new to discover.”
“I know the Well-Tempered Clavier.”
“You like Bach?”
Fuka-Eri nodded. “The Professor is always listening to it.”
“The Professor? One of your teachers?”
Fuka-Eri did not answer. She looked at Tengo with an expression that seemed to say, “It’s too soon to talk about that.”
She took her coat off as if it had only now occurred to her to do so. She emerged from it like an insect sloughing off its skin. Without bothering to fold it, she set it on the chair next to hers. She wore a thin crew-neck sweater of pale green and white jeans, with no jewelry or makeup, but still she stood out. She had a slender build, in proportion to which her full breasts could not help but attract attention. They were beautifully shaped as well. Tengo had to caution himself not to look down there, but he couldn’t help it. His eyes moved to her chest as if toward the center of a great whirlpool.
The two glasses of white wine arrived. Fuka-Eri took a sip of hers, and then, after thoughtfully studying the glass, she set it on the table. Tengo took a perfunctory sip. Now it was time to talk about important matters.
Fuka-Eri brought her hand to her straight black hair and combed her fingers through it for a while. It was a lovely gesture, and her fingers were lovely, each seemingly moving according to its own will and purpose as if in tune with something occult.
“What do I like about math?” Tengo asked himself aloud again in order to divert his attention from her fingers and her chest. “Math is like water. It has a lot of difficult theories, of course, but its basic logic is very simple. Just as water flows from high to low over the shortest possible distance, figures can only flow in one direction. You just have to keep your eye on them for the route to reveal itself. That’s all it takes. You don’t have to do a thing. Just concentrate your attention and keep your eyes open, and the figures make everything clear to you. In this whole, wide world, the only thing that treats me so kindly is math.”
Fuka-Eri thought about this for a while. “Why do you write fiction,” she asked in her expressionless way.
Tengo converted her question into longer sentences: “In other words, if I like math so much, why do I go to all the trouble of writing fiction? Why not just keep doing math? Is that it?”
She nodded.
“Hmm. Real life is different from math. Things in life don’t necessarily flow over the shortest possible route. For me, math is-how should I put it?-math is all too natural. It’s like beautiful scenery. It’s just there. There’s no need to exchange it with anything else. That’s why, when I’m doing math, I sometimes feel I’m turning transparent. And that can be scary.”
Fuka-Eri kept looking straight into Tengo’s eyes as if she were looking into an empty house with her face pressed up against the glass.
